challenges

Another Casualty of the Pandemic: The Foster Care System

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In a “normal” year, 400,000 children are in the US foster care system. That’s 1 out of every 184 American children. The pandemic has brought havoc to this already overstrained system in an unexpected way.

While child welfare calls have gone down—for example, reports of child maltreatment in New York City dropped 51 percent in the spring of last year compared to the same period in 2019[1]—most experts agree kids are not safer. In fact, the heightened stress and insecurity of this crisis has likely increased abuse, neglect, and other factors that would normally necessitate intervention. But with schools, day cares, and community life closed or on hold, fewer mandated reporters and even concerned neighbors are interacting with kids who might be in need.

One county in North Carolina reported a spike in the number of children actually removed from homes in the fall of 2020, even though reporting calls were down 20%. Wake County Child Welfare saw an added, disturbing change: while 83 percent of removals are typically due to neglect, social workers found nearly half during the pandemic, 45% were because of abuse[2]. Fewer reports but more removals with a higher percentage of abuse paints a dreary picture of the life of the American child enduring this crisis.

A complicating factor for this catastrophe is many counties are reporting low numbers of foster homes. Working parents who aren’t able to be home with foster children when schools are closed, worries about spreading the virus, generally increased stress and uncertainty, the average higher age of foster parents, and other factors are making it harder for agencies to recruit willing families. For example, Dane County in Wisconsin has 385 children in foster care, but only 165 foster homes—their lowest number of homes in the last decade[3]. Stark County Children’s Services in Ohio reported that 10% of the foster parents on their regular roster are no longer able to take in new children at this time[4]. Nationwide, scattered reports from desperate agencies echo more of the same: dropping numbers of foster parent applications.

Additionally, with courts limiting procedures or even temporarily closing, more children are staying in foster care instead of being granted permanency (whether via reunification with their family or through another permanent resource).  For example, in California, almost 4,300 fewer children left foster care between October 2019 and September 2020 compared with the same time frame a year earlier[5]. A child’s average stay in the foster care system is already over a year[6], and extending that time only further stresses the system and each individual child’s development.

Older children in foster care, particularly those who are aging out of the system or nearing that age, are not immune to the economic and emotional impact of the pandemic. One in four 18- to 24-year-olds who are (or were) in foster care experienced heightened food insecurity since the pandemic began. In addition, about 40% were forced to move or feared having to move, nearly 33% said they only had enough money for a week or less of living costs, and 27% of transition-age foster care youth lost their jobs because of the pandemic[7].

So, what is your calling to the hurting kids of our country?

Most experts agree that an overwhelming surge of kids is about to hit the foster care system. As restrictions are lifted and more sunshine enters dark places, abuse and neglect that has been hidden for months is going to expose the needs of an unprecedented number of children.

But the question we face is not, “What can our nation do to help hundreds of thousands of children?”

The question is, “What can I do to change one child’s life?”

 
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[1] Administration for Children's Services

[2] WRAL, https://www.wral.com/19522214/

[3] NBC15, https://www.nbc15.com/2021/01/06/fostering-through-covid-pandemic-brings-foster-care-system-families-new-challenges/

[4] MSN, https://www.msn.com/en-us/news/us/pandemic-shortage-more-foster-families-needed/ar-BB1cPj97

[5] California Child Welfare Indicators Project

[6] 14.7 months, childwelfare.gov

[7] Foster Club study, March 2020


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Sounds in Silence

I wish John Williams would craft a soundtrack to my entire novel... something to accompany the appropriate moods through the story.  Related to that, one of the challenges of writing a novel is using sounds as part of the story.  

For example, in real life, if you hear glass break, you just hear it. Crack.  You don't take eight words to think, Now I'm hearing the sound of breaking glass.  It's a challenge, I think, to startle readers with sounds.  

Additionally, sounds are so often part of the ambience of a scene, rather than the content, that drawing attention to them can be distracting.  It's a balancing act to set the audio scene without making your reader feel like they need to swat away bugs.

I've picked a few sentences about sounds from The Senator's Youngest Daughter to share with you today.  (I'm trying to avoid **spoilers** [River song's voice], so these might not be verbatim from the book.)  By the way, I break glass in my novel a lot, and only this exercise pointed it out to me!  I didn't include all of those references; you'd have needed a band-aid.

  • Cement makes a surprisingly high-pitched sound as it cracks, almost like glass. 

There are so many sounds in an explosion.  Imagine a movie's foley artist watching a scene and slowly layering the sounds of each object you see being affected by the bomb or impact: first the bomb, then the flying fruit cart, the gasoline igniting, the yells of the people in the marketplace, the ceramic jars toppling, the building collapsing, the windows cracking...  Novelists don't have that privilege.  In my scene, I needed to focus on just one thing Brenna heard so I could get back to the action.  Here, I tuned into the facade of the building.

  • Cows moo restlessly, the sound accentuated by the night’s stillness. 

This is a scene-setter.  It's relevant to the loneliness my protagonist is feeling at a time, so it was worth including.  The cows feeling "restless" isa little bit of her projecting her feelings onto them.  The stillness is a contrast to her deep desire to take action and be impulsive.

  • The thud is cushioned, but I still wince as the sound reverberates through the hollow elevator shaft.

I love the word thud.  It's onomatopoeia without being silly.  In this case, since the characters are trying to be sneaky, every sound is a threat.  This thud could be the difference between success and failure, life and death!

  • A sudden scraping sound catches our attention, and we all whirl around, pointing our weapons at whatever will emerge from behind a nearby dumpster. 

This time, the hunted is the hunter.  (Cliché alert!)  Rather than any sound giving my characters away, they are now on the prowl, tuned into every sound.  Bummer that it might turn out to be just garbage blowing in the wind... you know, either that or the bad guy!


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